CONTINUUM OF TIME 時間連續體 (29)

READING (EAST/WEST) 閱讀 (東/西)

Perpendicular Direction/Transversal Movement  垂直方向/橫向運動

Posted June 24, 2020

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Russel12

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Guanyin

Avalokiteshvara .. Tibet, 18th century. Tangka – appliqué silk damasks on brocades, cording, embroidery, pearls, and corals. Newark Museum.

Curatorial Record:
Avalokiteshvara (in Tibetan: Chenrezig, “with pitying look”) is the Embodiment of Compassion and the most popular Bodhisattva (“Enlightenment Hero”) in Buddhist art and practice. Avalokiteshvara is emulated in Mahayana teachings in which the practitioner strives for the collective salvation of all beings.
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Ogyen Trinley Dorje
(2014)
Tibet is under Communist China’s totalitarian regime. … Many Tibetans had to flee to India following the Cultural Revolution.
Tibetan Buddhism, culture and the Tibetan way of life thrive in India. India has not only saved Tibetans and their way of life from extinction but also enabled us to draw inspiration from this holy land of the Buddha.
[ Note:
A claimant to the title of 17th Karmapa – head of the Karma Kagyu school (one of the four main schools of Tibetan Buddhism) – Ogyen Trinley Dorje has been in exile in India since 2000. ]
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Buddha

Reliquary (?) with Scenes from the Life of the Buddha – bone with traces of colour and gold paint. H. 5 – 3/8 in. (13.6 cm); W. 3 – 3/8 in. (11 cm); D. 2 – 9/16″ (6.5 cm). India, ca. 10th century. Collection: The Metropolitan Museum of Art, New York.

Curatorial Record:
This container likely served as a Buddhist reliquary. There are three scenes: the first shows the miraculous birth of Siddhartha, the historical Buddha. He emerges from the right side of his mother, Queen Maya, who is supported by her sister, Mahaprajapati. The second scene depicts the temptation of Siddhartha as he meditates at Bodhgaya immediately before gaining enlightenment. The third scene is a rare representation of the crowned and jeweled Buddha setting into motion the wheel of law, a reference to his first sermon at the Deer Park at Sarnath.
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Peat1
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Nyoirin Kannon
Nyoirin Kannon – Japan, 1693. Wood with gold, gold leaf, lacquer, and crystal inlay. H. 16 – 9/16 in. (42.1 cm); W. 12 – 1/8 in. (30.8 cm); D. 10 – 1/4 in. (26 cm).
Collection: The Metropolitan Museum of Art, New York.
Curatorial Record:
The bodhisattva Nyoirin Kannon (Sanskrit: Avalokiteshvara) is represented here with Esoteric Buddhist attributes: the wish-fulfilling jewel (nyo hoju), and the wheel (rin) of Buddhist teachings.
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Luma

” … ‘Chroma/Luma’ …”. Digital/Original. (Photo: M. Cynog Evans.)

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Nitobe52
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ALW8
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Issa
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Rose

” … ‘Luma/Chroma’ …”. Digital/Original. (Photo: M. Cynog-Evans.)

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The intelligence of the universe is social.

– Marcus Aurelius (d. 169 CE)

New life is born from garbage and ashes.

– Marshall McLuhan (1971)

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Deleuze1

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Octopus battle

Battle Between Octopus and Potato (woodblock print) … Kawanabe Kyosai (d. 1889).

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CONTINUUM OF TIME 時間連續體 (28)

READING (EAST/WEST) 閱讀 (東/西)

IN-FINITY/無-限

Posted June 18, 2020

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MEMO TO CAUSA 

from bill bissett
12.06.20

iuv re entered th field uv konkreet vizual poetree

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bill bissett 
2020

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At the typewriter, the poet commands the resources of the printing press. The machine is like a public address system immediately in hand.
— Marshall McLuhan (1964)

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” … ‘Nothing But Time’…”. Digital Original. (Image: M. Cynog-Evans, 2020.)
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Everybody gets so much information all day long that they lose their common sense.

— Gertrude Stein (1946)

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Large maroon iris 
licorice flower just now 
– a New Year (in Spring)

— Mokurai

22.05.20.


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Clarify and harmonize your life without losing the Single Eye which sees the context or the two eyes which recognize the details.
— Dogen (1200 – 1253)

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CONTINUUM OF TIME 時間連續體 (27)

READING (EAST/WEST) 閱讀 (東/西)

IN-FINITY/無-限

Posted June 10, 2020

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Sartre2

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Nitobe44

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Chaguan

” … ‘Counterforce’…”. Photo: M. Cynog Evans.

Note:
Located as an architectural feature at the entrance of a traditional Japanese teahouse, the CHIRIANA [‘Dust Pit’] functions, aesthetically, as a signifier of ‘stillness and commotion’ within/beyond a formal garden precinct.
The ‘dust pit’ is used for temporary  displays of twigs and leaves – so as to remind guests of ‘functional preparations’ made for them on the ‘particular occasion’ of a tea ceremony gathering.
Symbolically, the presence of this modest architectural element – as seen  (above) at the Nitobe Memorial Garden –suggests the capacity of respective visitors to alter their ‘unswept’ unawareness.
– CAUSA Research Curators
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Nishida1
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Ortega1
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It is too late to be ready.

—Ch’an / Zen master DOGEN

(d. 1253)

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Bud

” … ‘Speak’…”. M. Cynog-Evans … Digital Original, 2020.

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Joyce1

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Nitobe48

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Mazu1

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Loy5

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Shakespeare 2_

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E Wharton1

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Beauvoir4

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●  Chan [Zen] Buddhist master Mazu Daoyi (d. 788 CE)
A monk drew four lines in front of Daoyi. The top line was long and the remaining three were short. He then demanded of the Master, “Besides saying that one line is long and the other three are short, what else would you say?” Daoyi thereupon drew one line on the ground and said, “This could be called either long or short. That is my answer.”
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CONTINUUM OF TIME 時間連續體 (26)

READING (EAST/WEST) 閱讀 (東/西)

IN-FINITY/無-限

Posted June 2, 2020

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McLuhan130

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Lingyu

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Bill Bissett
(2020)
Fiery_Grayscale_0111
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There is a dead seriousness and there is a living seriousness.
— Chu Hsi (1130 – 1200)
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Beuys8
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Xiangxiu1
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Rose
” … ‘Infinitesimal and Unrepeatable’ …”. (Photo: M. Cynog-Evans.)
Since there is no past in the present, we know that it does not come, and since there is no present in the past, we know that it does not go.
— Seng-chao (384 – 414)
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Heidegger1
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Lu1
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Howe
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Manifesto
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IMMANUEL KANT
(1781)
By an architectonic I mean the art of systems. Since systematic unity is what first turns common cognition into science.
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Chuangzi3
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Foxglove
” … ‘Principle of Fidelity’…”. (Photo: M. Cynog-Evans.)

It is in the rapid instant of real life, not in the fluctuating time of dreams, nor in the cyclical or eternal time of myths, that one’s fate is decided.
— Italo Calvino (1984)
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CONTINUUM OF TIME 時間連續體 (25)

READING (EAST/WEST) 閱讀 (東/西)

IN-FINITY/無-限

Posted May 25, 2020

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Chuangzi4

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Leguin

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QUESTION AND ANSWER
ON THE MOUNTAIN
Li Bai
(d. 762 CE)

You ask for what reason I stay on
the green mountain,
I smile, but do not answer, my
heart is at leisure.
Peach blossom is carried off by
flowing water,
Apart, I have heaven and earth
in the human world.

– Li  Bai (d. 762 CE)

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Beauvoir11
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BILL BISSETT

(2020)
time tongue tango tarantel
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Laozi5
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Lewys1
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Merwin4

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THE BAMBOO BY LI-CH’E YUN’S WINDOW

Po Chu-i

(772-846)

Don’t cut it to make a flute.
Don’t trim it for a fishing
Pole. When the grass and flowers
Are all gone, it will be beautiful
Under the falling snowflakes.

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Heidegger2

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Is there such a thing as human nature? Of course there is. But there is only human nature in the concrete, no human nature in the abstract.
— Mao Zedong (1942)
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MEMO to CAUSA

from Terence Russell, Senior Scholar,

Asian Studies Centre, University of Manitoba, Winnipeg, Canada

After reading Crawford Kilian’s article, “Canada and China: Can this Relationship Be Saved” (The Tyee online edition, May 21, 2020), I cannot but give a robust thumbs up to the author’s suggestion that we charge our “highly educated and very intelligent” foreign service personnel, a class with whom he apparently feels great intellectual symmetry, with the task of finding ways to “co-operate to build a world that’s in all our long-term interests” in conversation with their Chinese counterparts. However, when it comes to the principles that Mr. Kilian would have our diplomats follow as they walk down the road towards “stability and prosperity,” arm in arm with representatives of the Chinese Communist Party, I find myself scratching my head.

Having dismissed both realpolitik and values diplomacy as the product of “bullshit artists,” he appears to plant the feet of his sharp-witted foreign service persona directly in the deepest manure by suggesting that the best way forward is to forget about the “scores of millions of Chinese” who have died under Chinese Communist Party oppression, and “go easy on behaviour that pisses the other country’s public off.” In other words, there would be mutual agreement not to comment on certain areas of past history, or current events like the cultural genocide against Uyghur (and Tibetan and Mongolian) peoples, or the systematic rounding up and imprisonment of dissidents. Apparently Mr. Kilian feels that if we are to work out a mutually beneficial bilateral relationship for the future, no good can come of dwelling on those “transient problems.” Such a line of argument strikes me as about as realpolitik as realpolitik gets. It is a line of thinking that runs exactly parallel to the realpolitik diplomacy that saw Stalin welcomed as an ally against the Nazis in the Second World War, diplomacy upon which Mr. Kilian piles scorn.

In the end, as Mr. Kilian leaves us waiting upon a Chinese response to the appeal for co-operation, we must consider what the end product of such co-operation would look like. What does “a China with Chinese characteristics, a Canada with Canadian characteristics…” imply? Unfortunately, it appears that in Mr. Kilian’s realpolitik world the future of China’s long-suffering masses is to be decided solely by the persistently brutal and oppressive Chinese Communist Party.  Any values-based intervention by other nations would be abandoned in the name of creating a civilization in which we all enjoy stability and prosperity. In such a scenario, the Chinese Communist Party élite and their clients would most certainly continue to live the charmed, affluent lives to which they are accustomed. On the other hand, hundreds of thousands of Uyghurs would remain captive in the “thought-reform” gulag; thousands of human rights dissenters and members of disapproved religions would remain heavily surveilled, imprisoned, and subject to murder by vital organ harvesting; and the millions of migrant workers who produce the wealth that the upper classes rely upon would remain poor, exploited and politically voiceless. But perhaps for Canadians that is just none of our business. Life would be so much easier if it were not.

 

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Plato1
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1-thelongmarch
Long March 5B Rocket – taking off from the Wencheng launch site, southern China – May 5, 2020.

Agence France-Presse:
China has successfully launched a new rocket and prototype spacecraft [5 May 2020], according to state media, in a major test of its ambitions to operate a space station and send astronauts to the moon.
The next big mission for Beijing is to land a probe on Mars, with lift-off expected this year.
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CONTINUUM OF TIME 時間連續體 (24)

READING (EAST/WEST) 閱讀 (東/西)

IN-FINITY/無-限

Posted May 19, 2020

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Ludwig1

 

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Nitobe40

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Bill BISSETT
2020

why we________________________________________

Dewdrop, let me cleanse

In your brief sweet waters …

These dark hands of life

—  Matsuo Basho (d. 1694 CE)

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IPBES

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Chuangzi26

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Irises

” … ‘Endless’ …”. (Photo: M. Cynog Evans)

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Muso11
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BissettDR
bill bissett … ‘this is yr head lovingly’. Oil on canvas – late 1960s. (Morris and Helen Belkin Art Gallery, University of British Columbia, Vancouver.)
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Huelsenbeck

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Lady Ise_Layout 1

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Colourball

 

” … ‘Unchanging’…”. DIGITAL ORIGINAL. (Image: M. Cynog-Evans.)

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CONTINUUM OF TIME 時間連續體 (23)

READING (EAST/WEST) 閱讀 (東/西)

IN-FINITY/無-限

Posted May 12, 2020

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There are two kinds of light – the glow that illumines and the glare that obscures.
—  James Thurber (1961)
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Rocks and stream

”  … NIWA … Garden/’Pure Place’…”. (Photo: M. Cynog Evans.)

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Basho4
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FujiCherry
‘MT. FUJI’ CHERRY TREE … planted on 16 March 2020 … NITOBE MEMORIAL GARDEN (University of British Columbia, Vancouver). Photo: Ryo Sugiyama (11 May 2020).
Initially the work of Japanese landscape architect Kannosuke Mori, Nitobe Memorial Garden was opened to the public on 3 May 1960.
“Nature worship is a product of good communication.”
– Aldous Huxley (1934)
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Levin
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Nitobe5
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There is nothing you can see that is not a flower;
There is nothing you can think that is not the moon.
— Matsuo Basho (d. 1694 CE)
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Calvino
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Ryogen
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Otagaki4
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DeleuzeCo
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Fern

 

” … ‘Wildflower’ … (Beyond) Ordinary …”. Photo: M. Cynog-Evans.

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CONTINUUM OF TIME 時間連續體 (22)

READING (EAST/WEST) 閱讀 (東/西)

IN-FINITY/無-限

Posted May 1, 2020

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Nitobe B

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Agemben2

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Emerging from a perfect sphere;
Yet how long it is:
A spring day.

— Yamazaki Sokan (1465-1553)

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Awoolf2

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Nitobe36

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Hegel1

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Flowers

” … ‘Interval’…”. (Photo: M. Cynog Evans, April 2020.)
In the electric age, man becomes a kind of disembodied spirit.
– Marshall McLuhan (1971)
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Hongzhi1
Enter a caption

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McLuhan108
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CONTINUUM OF TIME 時間連續體 (21)

READING (EAST/WEST) 閱讀 (東/西)

IN-FINITY/無-限

Posted April 27, 2020

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Otagaki5

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Frank C

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The city fosters art and is art.
– Lewis Mumford (1937)
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McLuhan18
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Nitobe March 21
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Cheng Hao
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Misttree

 

” … ‘Viewer’s Attention’…”. DIGITAL ORIGINAL. (Image: M. Cynog-Evans.)

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Durrell2
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Hitler
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blackred
” … ‘Movement of Matter’…”. DIGITAL ORIGINAL. (Image: M. Cynog-Evans.)
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Chuangzi24
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Blueyellow
” … ‘Viewer’s Attention’ … (2)”. DIGITAL ORIGINAL. (Image: M. Cynog-Evans.)
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Bissett31
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McLuhan105
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Basho2
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Nitobe30
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Nishida4
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Movement2
” … ‘Movement of Matter’ … (2)…”. DIGITAL ORIGINAL. (Image: M. Cynog-Evans.)
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Dogen6
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Behind the cotton wool is hidden a pattern; that we – I mean all human beings – are connected with this; that the whole world is a work of art; that we are parts of the work of art.

– Virginia Woolf (1941)
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CONTINUUM OF TIME 時間連續體 (20)

READING (EAST/WEST) 閱讀 (東/西)

IN-FINITY/無-限

Posted April 21, 2020

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Huxley 5

 

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Poet_on_a_Mountaintop

Shen Zhou, POET ON A MOUNTAINTOP (album leaf – ink on paper), c. 1471. The Nelson-Atkins Museum of Art, Kansas City.
Inscription:
White clouds like a belt
    encircle the mountain’s waist
A stone ledge flying in space
    and the far thin road
I lean on my bramble staff
    and gazing into space
Make the note of my flute
    an answer to the sounding torrent.
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Sloterdijk 3
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Nitobe Poster 34
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Chuang-Tzu 3
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Colin Ward 2
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Balloons

” … ‘To The Reader’…”. DIGITAL ORIGINAL – M. Cynog-Evans.

What’s plainest seen is a mere buffer.

– Wyndham Lewis (1933)

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Ball 2

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When we view things in the opposite direction from those that are gone, we have what is called daily renovation.
— T’an Ssu-t’ung (d. 1898)
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Ian McHarg
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AWang Yangming 3
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Gerald Manley Hopkins 2
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Basho1
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bissett 38
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aSkull
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bSkull

Hogen Rantei, SKELETON ASTRIDE A SKULL. Netsuke (ivory), late 18th – early 19th century. [ H: 1-1/2 in. (3.8 cm). W: 1-1/8 in. (2.9 cm). D: 1-3/8 in. (3.5 cm). ]

Metropolitan Museum of Art, New York.
The Museum’s Asian Department describes this object as a “humorous statement of the transitory nature of human life.”
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Huxley 6
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Kobayashi Issa
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Beauvoir 11
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YES (BUT) AS YET
          Horizons in the
          open cosmology
          expand indefinitely.
          – Freeman Dyson
within (which is to say ‘without’) the
context of a vortex … there … on … ‘far’
in/to the ‘open’ … (constantly) gone
… did ‘that’ voice … whose? … somehow
announce the ‘where’ of meeting more
than half way to then again now in part?
‘since’ … filled to a limit of ‘hence’ … is
‘heard’ (infinitely again) when ‘as’ and
‘outside’ become/conclude (converge)
Mokurai
04.03.21
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Bluegreen
” … ‘Accretion of Qualities’…”. DIGITAL ORIGINAL (M. Cynog Evans.)
Personally realize the infinite to the highest degree and travel in the realm of which there is no sign.
— Chuang Tzu (d. 286 BCE)
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Dewey 6
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r__MG_0380S
Ian Wilson, CIRCLE ON THE WALL,1968. 4H graphite (2ft diam.). Installed at ‘eye level’ – on a ‘white a wall’. First public exhibition: Toronto (1983), under the auspices of David Bellman.
In curatorial association with David Bellman, Ian Wilson’s ‘ephemeral’ CIRCLE ON THE WALL entered the ‘permanent’ collections of both the Art Gallery of Ontario (Toronto) and the Van Abbemuseum (Eindhoven, Netherlands).
The artist died on 16 April 2020.
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