READING (EAST/WEST) 閱讀 (東西)
Psychic Ecology 心神生態
Posted December 4, 2020
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Daoist immortal Li Tieguai receiving a visitor – unidentified artist (China, 15th–16th century). Hanging scroll – ink and colour on silk. Metropolitan Museum of Art, New York.
Curatorial Record:
Legend states that the Daoist immortal Li Tieguai assumed his disheveled form accidentally. One of the master’s abilities was to send his spirit on journeys while his body lay dormant. On one of these occasions, Li was gone so long that his assistant mistook the master for dead and cremated him. Returning to find his body missing, Li appropriated the body of a local mendicant who walked with an iron crutch and was thereafter known as Li Tieguai (Iron-Crutch Li).
This scroll depicts Li (‘wild’ in appearance) observing the (‘formally’ dressed) official who has come to pay respects.
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Top lawyers to Define Ecocide to Enforce International Justice
EcoWatch (New York)
1 December 2020
An expert panel of top international and environmenral lawyers have begun working on a legal definition of “genocide” with the goal of making mass ecological damage an enforceable international crime on par with war crimes, crimes against humanity, and genocide.
Assembled by the Stop Genocide Foundation at the request of several Swedish parliamentarians, the initiative to criminalize the destruction of ecosystems at the global level has already garnered support from European countries as well as small island nations highly vulnerable to rising sea levels.
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The November launch date of the project coincided with the 75th anniversary of the beginning of the Nuremberg trials of Nazi leaders, where the terms “crimes against humanity” and “genocide” were coined.
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Li Tieguai under a Pine Tree … Ming Dynasty, circa 1500. Hanging scroll (now mounted on panel) – ink and colour on silk. Freer Art Gallery, Smithsonian Institution, Washington, D.C.
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” … ‘Embodiment’ (Li Tieguai) …”. (Photo: M. Cynog-Evans.)
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We exit into life;
We enter into death.
— Lao Tzu (sixth century BCE)
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Every trace of intelligent and stupid men, of the beautiful and ugly, successful and unsuccessful, right and wrong, is effaced. And whether quickly or slowly is the only point of difference.
— Yang Zhu (440 – 360 BCE?)
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bill bissett
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bill bissett, the mewsik uv time – acrilik on canvas, 2020.
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Nicholas Poussin, Study for ‘A Dance to the Music of Time’ (commissioned in 1639 by Cardinal Guilio Rospogliosi). Pen, brown ink & wash on paper. Scottish National Gallery, Edinburgh.
Curatorial Record:
The picture is a moral allegory on the subjection of all human life to the rule of time. The dance is being performed by the lyre of Father Time and two putti are seen playing with an hourglass and blowing bubbles respectively. It depicts a circle of man’s future with the allegorical figures of Poverty, Industry, Riches and Pleasure forming a circular movement. Above, the Sun is driving his chariot through the zodiac.
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The Nonsense of Narcissism
Mokurai
27.11.20
The tables turn thanks to spirit.
— Francis Picabia
if looking back requires an inner voice
… is that (then) meditation in motion …?
otherwise reflected (once and for all)
… when does it start … the gone/going/gone on …
to when once (an elsewhere) in/of itself
(there) will make some sense of a becoming
that is not a (repeat) repetition …?
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